best 10 tips for travel watercolor set

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travel watercolor set

Find the ideal travel watercolor set for craftsmen in a hurry. Reduced, convenient, and flexible for painting lovely scenes anyplace.

Documenting what we see is one of the greatest pleasures of travelling. We can create a lasting collection of sketches and paintings to remind us of our travels. But we also observe more when we stop to paint.

I like to keep things basic and travel with as little luggage as possible with travel watercolor set. It’s okay to focus on something other than the gear you heft around but on how you manage it. I’ve learned many tips of travel watercolor set and shortcuts by trial and mistake.

1. Reduce and simplify-travel watercolor set

Bring travel watercolor set only what you know you’ll use. Leave it at home if you are unsure. I always travel with two paint kits: one in my checked luggage and one tiny kit in my carry-on bag. All my equipment goes in my checked luggage. This bag contains everything I need.

*Paint tubes spares
* Waterpot with a small spray bottle, gesso and ink inside
*Hand towels and masking Tape
* Box of pencils, brushes and other items
*Aluminium palettes for small spaces
*Between 2 corflute backing boards, place 1/4 sheet of paper
* A waterproof jacket, cap, and sunscreen are stored in the lower zipper pocket
* I only use this kit for demonstrations. A lightweight folding easel and a core flute table accessory can also be stuffed into the bag.

When I’m not demonstrating, I use a smaller kit
*Water brush (Handle filled with water and released by pressing)
*The small brushes can be used to clean the windows.
* A tiny palette
* An A5 sketch pad

Except for the sketch pad, the kit is small enough to fit in my carry-on bag.

2. End to End Brushes

Tape your brushes together to prevent them from being damaged during transit. Holding the bristles over boiling water will bring them to life. I tape together my 2 riggers and my 1/8—and 1/4-inch flats. This protects the brushes and makes it more difficult for them to be accidentally left behind.

3. Work Small-travel watercolor set

When I paint on location, I approach the task with a completely different mentality. I do not intend to create masterpieces but rather to record quick and spontaneous reactions to what I observe. I find a 1/4 sheet (roughly 14″x 11″) the perfect size. If I’m going to be walking a lot or carrying camera equipment, I take my small kit with me and use an A5 sheet.

4. Ink bottles in travel watercolor set

If you’re not careful, travelling with ink could be disastrous. If the container is not sealed tightly, the change in flight pressure could cause a mess. I tape the cap tightly after screwing it on and then place the ink into a ziplock bag. The ink is then placed into my empty waterpot. It is best to leave ink bottles with eye droppers on the lid at home or replace them with a proper-sealing bottle.

5. Double-ended pencils

Since sharpening charcoal pencils on the plane is impossible, I always carry them in my carry-on bag. I use paper tube covers to protect the second end.

6. Keep your easel at Home

Travel watercolor set is better when used horizontally. Pigment sinks and settles in the texture of the paper, producing richer colours. They are heavy and are only necessary if other people need to see your work. When I demonstrate, I only use an easel. If I’m not painting, I usually sit on a wall, a rock, or a chair and place my paper on my lap. When travelling, make sure your easel is compact and lightweight.

7. Corflute back boards

Corflute, a twin-walled lightweight plastic, is used for real estate signage. You can buy it from large hardware stores or signwriters. It’s ideal as a watercolour backing board—it is light, has a neutral pH, is rigid, and is indestructible. I carry my pre-cut sheets of watercolour paper between two sheets slightly larger than the sheet. This protects the paper and provides two backing boards.

8. Location

It is best to paint in the shade, with a table and chair that are out of the way and close to coffee. The subject should be interesting. What can be done if this rarely occurs? The coffee can wait—the seat and table need to be added. Shade is more comfortable. But it can be done without as long as you aren’t painting in full sun. You can get a great painting out of a mediocre topic. Still, I would rather suffer the inconvenience if you want a good one.

Keep your painting away from the sun. This makes it hard to see and causes the paint to dry faster. Just by adjusting your position, you can put your painting into shade. Before you leave, check for any dropped brushes or pencils and masking tape, tissues or other trash.

9. Plastic bag

One of those large plastic shopping bags is rolled up and stored in the corner of my travel watercolor set bag. The bag is handy for sitting on, spreading things on, or slipping over a wet painting when it rains.

10. Sitting on the floor without a stool.

Crouching to paint becomes uncomfortable after a while with travel watercolor set. If you don’t own a stool or a seat, you can elevate your heels by placing something under them. You can use a rock, stick, or block of wood to elevate your heels above your toes. This is a comfortable position to sit in for a long time.

I appreciate voyaging and finding new spots. It’s a ton of work, but painting with travel watercolor set is a ton of fun. You meet new people, get to see more details, and at the end, you can sit back with a beer and look over the sketches and paintings that have accumulated. What could be more enjoyable? Equipment that is light, portable, and minimal only enhances the experience.

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